JOIN A MUSIC TEAM 2026-2027!
We’re praying for volunteers to join our choir, band, handbells, and seasonal ensembles. If you sing or play an instrument at any level, there’s a place for you! Participating in a music team is a great way to find community, lean into Scripture, prayer, and our liturgy, and serve your church family by leading us in worship. If you’re interested, we invite you to join us for a Music Ministry Social on Thurs., August 27, from 5:30-7:30 PM in Kronz Fellowship Hall! Come meet other members of the team, ask any questions you may have, and learn more about our musical opportunities for the coming year! For more info., and to sign up, please contact Robert Tindle, Director of Music Ministry: [email protected].
We’re praying for volunteers to join our choir, band, handbells, and seasonal ensembles. If you sing or play an instrument at any level, there’s a place for you! Participating in a music team is a great way to find community, lean into Scripture, prayer, and our liturgy, and serve your church family by leading us in worship. If you’re interested, we invite you to join us for a Music Ministry Social on Thurs., August 27, from 5:30-7:30 PM in Kronz Fellowship Hall! Come meet other members of the team, ask any questions you may have, and learn more about our musical opportunities for the coming year! For more info., and to sign up, please contact Robert Tindle, Director of Music Ministry: [email protected].
Music
Music is a vehicle for worshiping the triune God--Father, Son and Holy Spirit. At St. Luke's we have a blended worship style, with a blend of traditional and contemporary music at our second service. Find below all of the musical opportunities available to you at St. Luke's.
St. Luke’s Church is a member of the Royal School of Church Music in America.
St. Luke’s Church is a member of the Royal School of Church Music in America.
Sunday Music Team
The Sunday Music Team is made up of singers and instrumentalists who together lead worship music for the the 10am blended Sunday worship service. Sunday worship music includes contemporary praise, traditional hymns, and liturgical pieces.
For information on the Sunday Music Team, please contact Robert Tindle, Director of Music Ministries, at [email protected].
For information on the Sunday Music Team, please contact Robert Tindle, Director of Music Ministries, at [email protected].
Ring & Rejoice Handbells
Ringing handbells is a real team sport! Music reading is necessary but not previous ringing experience. Ring in worship monthly, at Christmas, Easter, and special services.
For more information, please contact Robert Tindle, Director of Music Ministries, at [email protected].
Rehearsals: TBD
For more information, please contact Robert Tindle, Director of Music Ministries, at [email protected].
Rehearsals: TBD
St. Luke's Choir
Men and women join together to rehearse and present special sacred music at Christmas, Easter, and for a large choral work. New singers are invited to join the choir for any of these presentations during the year!
For more information, please contact Robert Tindle, Director of Music Ministries, at [email protected].
For more information, please contact Robert Tindle, Director of Music Ministries, at [email protected].
Children's Music Programs
CHILDREN’S CHOIR BEGINS SOON!
Calling all kids K4 to 7th Grade – Come join an after-school choir at Saint Luke’s Anglican! Our 2026-27 Season begins Wednesday Sept. 9. Please see below for details. To enroll: Simply scan the QR code to register.
Gaudete Choir (K4–2nd grade) - Wednesdays 4:15–4:45 pm
· These youngsters will have lots of fun exploring songs, instruments, games, and wiggles! They’ll sing in worship once a quarter at our 10:30 AM Sunday service, Christmas Eve, and Holy Week.
Jubilate Choir (3rd–7th grade) - Wednesdays 4:45-5:30 pm
· These growing singers will learn good vocal habits and the language of music. They’ll sing in worship monthly at our 10:30 AM Sunday service, Christmas Eve, Holy Week, and special services.
QUESTIONS? Please contact Robert Tindle, Director of Music Ministry, (854) 946-1070
[email protected].
Calling all kids K4 to 7th Grade – Come join an after-school choir at Saint Luke’s Anglican! Our 2026-27 Season begins Wednesday Sept. 9. Please see below for details. To enroll: Simply scan the QR code to register.
Gaudete Choir (K4–2nd grade) - Wednesdays 4:15–4:45 pm
· These youngsters will have lots of fun exploring songs, instruments, games, and wiggles! They’ll sing in worship once a quarter at our 10:30 AM Sunday service, Christmas Eve, and Holy Week.
Jubilate Choir (3rd–7th grade) - Wednesdays 4:45-5:30 pm
· These growing singers will learn good vocal habits and the language of music. They’ll sing in worship monthly at our 10:30 AM Sunday service, Christmas Eve, Holy Week, and special services.
QUESTIONS? Please contact Robert Tindle, Director of Music Ministry, (854) 946-1070
[email protected].
Saint Luke's Anglican Organ
The organ at Saint Luke's Anglican was built and installed in 1989 by the renowned organ firm of Gabriel Kney and Company of London, Ontario, Canada. Originally, the instrument was placed in the rear gallery. In 2000, following the remodeling and expansion of the sanctuary, the organ was moved to its present location.
The organ has 20 stops and 22 ranks of pipes. In total it has 1100 pipes. Most of the metal pipes are of tin and lead alloys; some of copper, some of brass. The wooden pipes are made of mahogany and pine.
The action is called “mechanical” or “tracker” because there is a direct linkage between the playing of the keys and the sounding of the pipes. This is accomplished by means of slender strips of wood called “trackers” (L. “tractus” – “to pull”), which connect keys and the air valves for the pipes. Thus, “mechanically connected”, the organist is able to control the sounding of the pipes as well as achieve musical phrasing of the highest degree.
The case design and placement of the pipes illustrate a classic principle called “Werkprinzip.” This means that the pipe groups for the three tonal divisions, Great, Swell, and Pedal, are placed within their own casework to enhance their distinctive tonal characteristics and to project their sound with clarity. In this organ the Swell is the group of pipes placed behind louvers and directly above the keyboards. The Great organ is the larger upper section located behind the beautiful façade pipes that are made of 80% tin.
The largest pipes of the organ are in the Pedal and are placed behind the instrument in their own case.
The casework itself is made of Appalachian oak. Additional woods for the interior are white pine, tulipwood, basswood, and mahogany. The naturals keys are covered with cow bone veneer, and the sharp keys are made of ebony wood. The draw knobs for the mechanical stop action are made of rosewood.
In 2011, a Zimbelstern was added as a crowning ornament to the top of the casework. The name means “bell star”, and the rotating star can be clearly seen when this stop is engaged. The star itself does not ring the bells. There are eight little bronze tuned bells that cover the span of an octave. Rotating brass clappers ring them, and their high-pitched sounds provide additional brilliance to joyful-sound registrations.
In addition to the accompaniment of hymn singing and Anglican music, this organ is particularly suited to organ literature of the 17th and 18th centuries (such as Bach, Handel, Wesley and many others), yet it is also very capable of playing literature from the 19th to the 21st centuries.
The Specification
GREAT SWELL
Principal 8’ Gedecktflöte 8’
Rohrflöte 8’ Gems Celeste 8’
Octave 4’ Offenflöte 4’
Blockflöte 2’ Principal 2’
Nasat 2 2/3’ Terz 1 3/5’
Tierce 1 3/5’ Quint 1 1/3’
Mixture III 1 1/3’ Rohrschalmey 8’
Trompete 8’ Tremulant
Tremulant
Zimbelstern
PEDAL COUPLERS
Subbass 16’ Swell to Great
Bassflöte 8’ Great to Pedal
Choralbass 4’ Swell to Pedal
Basson 16’
Trompete 8’
The organ has 20 stops and 22 ranks of pipes. In total it has 1100 pipes. Most of the metal pipes are of tin and lead alloys; some of copper, some of brass. The wooden pipes are made of mahogany and pine.
The action is called “mechanical” or “tracker” because there is a direct linkage between the playing of the keys and the sounding of the pipes. This is accomplished by means of slender strips of wood called “trackers” (L. “tractus” – “to pull”), which connect keys and the air valves for the pipes. Thus, “mechanically connected”, the organist is able to control the sounding of the pipes as well as achieve musical phrasing of the highest degree.
The case design and placement of the pipes illustrate a classic principle called “Werkprinzip.” This means that the pipe groups for the three tonal divisions, Great, Swell, and Pedal, are placed within their own casework to enhance their distinctive tonal characteristics and to project their sound with clarity. In this organ the Swell is the group of pipes placed behind louvers and directly above the keyboards. The Great organ is the larger upper section located behind the beautiful façade pipes that are made of 80% tin.
The largest pipes of the organ are in the Pedal and are placed behind the instrument in their own case.
The casework itself is made of Appalachian oak. Additional woods for the interior are white pine, tulipwood, basswood, and mahogany. The naturals keys are covered with cow bone veneer, and the sharp keys are made of ebony wood. The draw knobs for the mechanical stop action are made of rosewood.
In 2011, a Zimbelstern was added as a crowning ornament to the top of the casework. The name means “bell star”, and the rotating star can be clearly seen when this stop is engaged. The star itself does not ring the bells. There are eight little bronze tuned bells that cover the span of an octave. Rotating brass clappers ring them, and their high-pitched sounds provide additional brilliance to joyful-sound registrations.
In addition to the accompaniment of hymn singing and Anglican music, this organ is particularly suited to organ literature of the 17th and 18th centuries (such as Bach, Handel, Wesley and many others), yet it is also very capable of playing literature from the 19th to the 21st centuries.
The Specification
GREAT SWELL
Principal 8’ Gedecktflöte 8’
Rohrflöte 8’ Gems Celeste 8’
Octave 4’ Offenflöte 4’
Blockflöte 2’ Principal 2’
Nasat 2 2/3’ Terz 1 3/5’
Tierce 1 3/5’ Quint 1 1/3’
Mixture III 1 1/3’ Rohrschalmey 8’
Trompete 8’ Tremulant
Tremulant
Zimbelstern
PEDAL COUPLERS
Subbass 16’ Swell to Great
Bassflöte 8’ Great to Pedal
Choralbass 4’ Swell to Pedal
Basson 16’
Trompete 8’